Brahms\' Funf Ophelia Lieder

poem 1: Wie erkenn ich dein Treulieb\nThe good song is exclusively 42 seconds and there is not ofttimes castrate throughout the humans either. Brahms wanted his whole Lieder to be simple and that shows in this rig. In this song, it shows the structure on AAAA. The logical argument and unit of ammunition of each(prenominal) limn in the song is extremely similar. The only difference in each line is the rhythm of the plump measure. In the thirdly system it says He is of a sudden and gone, lady, He is dead and gone.  When birdcall in German the last word is Fräulein (Lady) which is express by the absence of the syncopate rhythm that is usually there. The change in the assembly line consists of the devil notes at the end of the contrive either going up a fourth or going down a third. on that point is overly a change in pace from one measure to the neighboring in each line. In the A lines, there is a rallentando at the end of each phrase. There is not oft dy namic contrast at all throughout the entire song other than a few decrescendos. The accompaniment in this percentage follows the vocalist and plays nigh the same exact melody as what is being sung. The lyrics to this typography are talking somewhat someone who has died and the woman who is sadness him. At his head a grass green turf, at his feet a stone.  I cipher this means that he has been buried.\n\nSong 2: Sein Leichenhemd Weiss wie Schnee zu sehn\nThis piece is also extremely short with only 30 seconds in length. This piece is only dickens lines. The measured difference between the two lines is that the first line is more than more choppy  with the stud notes than the flowing tied eighth notes. Brahms emphasizes the words blumen (flowers)  and liebes (love) with the use of melismas on both. Each phrase begins with a crescendo and then decrescandos to the end. There is a little piece of ritardando on the rattling last two notes of the piece. The lyrics to this piece continue to speak of a mans grave, but it also mentions the fragrance of nature and the beauty of the mo...