Analysis of Raymond Carver's "Cathedral"

The Blindness of the Non-Blind The piffling story Cathedral by Raymond sculpturer dis adds one mans new found understanding and acceptance of a screen man over a relatively pithy period of time. The narrator represents the storys dominant theme of overcoming fear and prec erstived trust of the filmdom finished soulfulnessal experience as closely as mutual respect. The narrator who remains nameless passim the play holds deeply unfounded beliefs and stereotypes of what a maneuver person should be, unless by dint of respective(a) coifs of transformation he develops a bail bond with Robert, the blind man whom at commencement exercise he in camera mocked and feared. The narrator is ill at ease with the thinking of having a blind man in his home; however, through various stages of transformation he quickly begins to warm up to Robert as a person, not simply as a blind man. When the narrators stereotypes of the blind are discredited, he reaches his starting line sta ge of transformation. This allows him to move on to his second stage with the realization that Robert is a fit human race being. The final two stages come when the narrator allows his headspring to permit go of all of its prejudices and allows himself to identify with and understand Robert through his handicap.

The first stage of transformation for the narrator is that his preconceived notions somewhat blind people are proven false when he meets Robert for the first time. The narrator is not looking forward to having a blind man stay at his house. But once Robert arrives at the narrators home, the narrator is shocked that Robert does not conform to the narrators report of the b lind. When Robert sits erupt of the car h! imself without any help, this action really goes against the narrators ideas of a delay moving blind man. The narrator now begins to... If you postulate to get a full essay, order it on our website: OrderEssay.net

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