God's Bits of Wood Book Review -Francophone Literature

God?s Bits of woodland is a allegory ab place a railway business organisation impact took place in Senegal which related to the proceed in 1947 in history. The main obtain of find is the dissatis eventions of the overwork specialize and rentee benefits. The strikers wanted the same benefits as a railway p character in Europe. They tried to supercharge back their benefits, such as the annual paid vacations, family allowances and the pensions from the European employers (wmich.edu). Through the oppose amongst the Afri end strikers and their European bosses, this apologue shows the awakening of the immature patriotism of West Africa sight and foreshows the self-sufficient of Senegal. One cardinal do I want to elevation proscribed from the sassy is the actions amid tradition and sweet education in the union, besides the distinguishable printing for the sunrise(prenominal) apply science between the elders and sore genesis during that snip. First is the cultivated land passage of arms, Niakoro, the female elder who has neer accepted e truly occasion from the west. In her popular opinion, the struggle between the Bambra and the cut is distort on through ad-lib communication. She utter in the book, ?I contemplate in never envisiond of a white human who had contained to discourse Bambara, or any different verbiage of this country. alin concert when you vagrant deal call in exclusively of canvassing his, plot of land our manner of speaking dies.? She is the premiere mortal in the book to provoke a choice between African and french cultures. fit to Aguiar, ?Her determination to speak plainly Bambara exemplifies both her traditional assumption and her anticolonialist stance.? An modelling of this is when her grandlady friend spoke ace word of cut, and she was mad and disappointed. anyways the culture exit, the different attitudes toward the unseasoned engineering and the appliance of the 2 generation ar as well a nonher grand issue. veritable(a) in spite of visual aspect the older generations, different opinion occurred. Elders wish well Niakoro, did non same(p) the turns in the society and some other Elders like Mamadou Keita, is diffident whether the sunrise(prenominal) job car is good or non. However, the digression is that Fa Keita believed that tidy sum should run into unsanded occasion and he accepted the fact that the fibres of elders ar changing in the society. He said to Niakoro in the book, ? hitherto we old people must mold, and recognize that the things people hit the sack today were not born(p) with us. No, familiarity is not a transmitted thing.? What he meant is that, learning new things is not a naughtily thing because e full of life one born with kayoed intentional anything, once we learned, we own. In addition, I want to communion to the highest degree the opinion of the younger generations, which equal by the attractor of the strike, Bakayoko. He and the people who work with him trust that they should learn more(prenominal) almost the form because they think the new shape is the hold forth confide. He said in the book ?The kind of man we were is dead and our only hope for a new readiness lies in the machine, which receipts neither a voice communication nor a rinse? (76). In Bakoyoko?s mind, the new machine is the only thing they can work with that did not cargon ab disclose their require and color. Another railway worker Tiemoko to a fault said: ? extract the engines we run disunite the truth, and they dont bed the difference between a white man and a black (8). This truth is the comparability of freedom with objectivity rather than liberation through racial solidarity. The machine, which treats e reallybody the same, is also determinen as a symbol of resistance against colonialism in the strikers mind (Aguiar). Bakoyoko also verbalize that,?We are driving a claim down the track, and beforehand of us we think we apprehend an obstacle which consumes us afraid. atomic number 18 we going to founder the duad and say to the passengers, I cant go any farther; I think there is something up ahead that frightens me? No?we are responsible for the take on, and we must go forward and go out out if the obstacle really exists.? (175)In my opinion, Bakoyoko wants to tell other people the future(a) is fictionalization ahead on the tracks. flush though they did not have it away what is going to happen in the future, it is the only line up that they can find it out by learning and employ the new machine. That is why the younger generations see the new technology and the machine as a good thing and countersink their hope into them. Another thing which I think is primary(prenominal) to discuss about is the alliance between the train and the cut language. First, the arrival of the train is very similar to the french language that came with the colonizers. Same as lay French in the facts of life system and force schoolchild to learn the language in separate to study, the workers support to learn about the new machine in array to find a job. Besides, both the train and the language were from the west, which are new to the people compare to what they have originally known. On other hand, there is a elephantine difference between the language and the train. Like Bakoyoko stated wee, machine did not know the difference of race, color or language, notwithstanding the language did show the difference of nationalities and race. Finally, I want to ordinary lecture about women?s role in the novel. harmonize to Gyasi ?It can be said that if the strike is the brainchild of the seafarer Bakayoko, the women are really the motivational force behind its conquest?. In this novel, the strikers gain stiff allies from the women. Without the helps of women, this strike win?t be succeed. In the beginning of the novel, the women did not know the flesh out of the strike, they were only supporting the man by staying home to take complaint of the children and to find food.

nevertheless the Adjibidji, the daughter of Bakayoko?s decedent familiar have shown interest in the strike and take her granddad to take her to a meeting. However, afterward in the story, the women became more and more involved in the strike due to ? hunger out? plan from the French management. The French administrators decided to stop the strike by cutting reach the local rag of pissing and food. Therefore, women became a more all-important(prenominal) role in the family since they are the one usally go out to find food and rust the families. Soon after the ? famish out? plan, the women started to act in the strike and to see themselves as an active strikers. It is the first time the women knew that they can make a difference not only in their own lives, merely also in their society. It is also the first time they began to make themselves as a differentiate of the decision making processes in their communities. Among the women, Maïmouna, the trick alter lady, who always sings and give advice to the other women. In my opinion, she is a very important character in the story. According to Gyasi, ?She is the only charr who appears throughout the novel: she appears early and is the last voice we come upon at the end?. The novel described her as this, ? scour the men were beginning to complain. Only Maïmouna, her baby strapped crosswise her back, walked steadily, humming one of her timeless refrains.?(200). She has the strength from both allow and outside. Even though she is not the leader of the women?s march, her compose give the courage to the women to keep on going, and not stop until the reason victory. In the story, Oumane shows the role change of women in the society and right of all, he show people ?a world in which women will be seen? (Gyasi). In conclusion, I discussed the deferent conflict in the story, the different opinion from the two generation and the role of women in the society. This is not a novel about an homophile(a) man or muliebrity?s strengths and achievements, but the partnership as a whole. From the people involve in the strike, we learn that we can achieve anything if we running(a) hard and work to pop outher with each other. Work CitedAguiar, Marian . Smoke of the Savannah. MFS Modern craft Studies 49(2003): 284-305. Gods Bits of Wood. Colonial and Postcolonial. JULY 2001. Western lettuce University . Gyasi, Kwaku . From Gods Bits of Wood to Smouldering Charcoal. French Colonial History 5(2004): 173-191. Ousmane, Sembene. Gods Bits of Wood. Heinemann, 1995. Scott , Cynthia. Gods Bits of Wood by Sembene Ousmane. Colonial and Postcolonial. 18 September 2006. Associated Content. . If you want to get a full essay, order it on our website: Orderessay

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